Since 2014, the terrorist organisation Boko Haram have led strikes against the villages and people of the Far North Region of Cameroon. Today, this constant threat of violence has woven itself into daily existence. 　　In her profoundly affecting debut feature, Cyrielle Raingou follows a group of children as they carve out their own worlds amid the dangers of armed conflict. We meet the precocious Falta, studious and hardworking, eager to process her father’s death in a terrorist attack. Her classmate, Ibrahim, and his older brother Mohamad struggle with balancing their boyhood energy and a traumatic past that strays them from their eight and 11-year-old innocence. 　　Raingou, a native of the Far North Region herself, approaches her young subjects with a delicate and unobtrusive observance, allowing them to dictate the reality of their surroundings through their own words, movements and perspectives. The result is a distinct and profound study of the contrasts of a war zone: hope and despair, innocence and terrorism, the present and future, western influence and traditional culture. 　　As the children prepare for school, gunshots ring out in the distance. In the schoolyard, amidst soccer games and jump rope, military servicemen patrol the edges of the frame. But Raingou holds on to the laughter and innocence of the children’s play, which stretches far above war’s reach. 　　源自：https://iffr.com/en/iffr/2023/films/le-spectre-de-boko-haram

Since 2014, the terrorist organisation Boko Haram have led strikes against the villages and people of the Far North Region of Cameroon. Today, this constant threat of violence has woven itself into daily existence. 　　In her profoundly affecting debut feature, Cyrielle Raingou follows a group of children as they carve out their own worlds amid the dangers of armed conflict. We meet the precocious Falta, studious and hardworking, eager to process her father’s death in a terrorist attack. Her classmate, Ibrahim, and his older brother Mohamad struggle with balancing their boyhood energy and a traumatic past that strays them from their eight and 11-year-old innocence. 　　Raingou, a native of the Far North Region herself, approaches her young subjects with a delicate and unobtrusive observance, allowing them to dictate the reality of their surroundings through their own words, movements and perspectives. The result is a distinct and profound study of the contrasts of a war zone: hope and despair, innocence and terrorism, the present and future, western influence and traditional culture. 　　As the children prepare for school, gunshots ring out in the distance. In the schoolyard, amidst soccer games and jump rope, military servicemen patrol the edges of the frame. But Raingou holds on to the laughter and innocence of the children’s play, which stretches far above war’s reach. 　　源自：https://iffr.com/en/iffr/2023/films/le-spectre-de-boko-haram

Venice, 1580. The Marquis Della Porta lives alone in his villa with his secretary Jacopo, his servant Paolo and his beloved courtesan Veronica. Veronica is the only female and the three men are in love with her.

热气腾腾的拖拉机手马特维莫罗佐夫从“不那么遥远”的地方返回家乡。他记得他结婚的故事，他的毁灭性的爱，不可抗拒的背叛和燃烧的“犯罪”，他不后悔。在村里的第一个家伙，马特维莫罗佐夫是一个集体农庄主席真正的头痛。我真的为十个人工作，但戈雷兹是一个虚构的。此外，他爱他的女儿拉里斯。马特维的另一个出口是拖拉机的“赛跑”，与棉花的先进生产商，导致拖拉机坏了。他们几乎把马特维的审判，而不是他和拉里萨结婚。然后我们开始在村里听到马特维的“友谊”与新的动物技术的语气。拉丽莎很嫉妒，她想告诉对手。还有，当地的绯闻女孩和一个赛车手阿廖夫娜奶奶，她往火里点了点油，给马特维和托妮带来了新的信息

时代背景是十九世纪末的土耳其，年轻的希腊男孩在康士坦丁堡为富商辛勤工作，但生活却充满了难堪与迫害。当他知道美国这块梦幻中的乐土之后，便千里迢迢移民美国追寻梦想。

成绩优异处事圆滑的高二学生·矢口八虎，每日与狐朋狗友们一起玩乐。 无论是谁都会觉得是个“现充”的八虎，实际上一直觉得有点空虚。 某日，在美术室见到的一副画作，夺走了八虎的心。 「绘画，是不同于文字的语言」 通过绘画第一次真实地表达自己情绪的八虎，发现了美术的有趣之处，冲动之下拿起了素描本。 然后，八虎的升学志向确定了下来。 「第一志愿，东京艺术大学」 距离录取比例200倍的东京艺术大学考试日期， 还有650天。

本片改编自同名漫画，讲述了一个空虚的高中生以一幅画为契机，认真挑战美术世界，以国内最难考的美术大学为目标奋斗的故事。既没有美术经验也没有才能的普通人主人公矢口八虎，面对拥有天才绘画能力的对手们，以及无法回答的艺术这一壁垒而苦恼，但他却以热情为武器，用压倒性的努力克服了困难。

本片改编自同名漫画，讲述了一个空虚的高中生以一幅画为契机，认真挑战美术世界，以国内最难考的美术大学为目标奋斗的故事。既没有美术经验也没有才能的普通人主人公矢口八虎，面对拥有天才绘画能力的对手们，以及无法回答的艺术这一壁垒而苦恼，但他却以热情为武器，用压倒性的努力克服了困难。

What are a few references among friends? But for Cal and his circle, it’s hardly a few. They barely conduct a single conversation that doesn’t revolve around architecture, literature, theology, history. Each set of ideas leads seamlessly into the next, until the flow they form is endless, there are always more footnotes, theoretical perspectives, cantos, translations to cite, so many ways of keeping everyday life at bay. When Cal, Evelyn, Chris et al. exchange all this absurdly specific knowledge, they do so with such earnest relentlessness that it’s hard to suppress a smile, although melancholy is never far away. Cal is frequently by himself, turning pages in silence in shadowy rooms, while Evelyn paces the streets of Philadelphia when she can’t sleep, at night, alone. Even when the group gets together, they often remain apart in the frame with no wider shot to connect them, one face holds forth, another stays silent, are they even in the same place at all? Evelyn wishes it were possible to speak more directly, but perhaps that’s the defining feature of the period, not the classical one, this one. You speak, you listen, there’s nothing in between.

On December 23rd, Korean War veteran George Haverstick and nurse Isabel Crane - who George lovingly refers to as "Little Bit" - get married in a civil ceremony. They met when George was admitted to Belvedere General Hospital in St. Louis for a nervous shake, with Isabel being his night nurse. They got married immediately following his release, which occurred despite the doctors never discovering the reason for his affliction. They plan on honeymooning in Miami, and stopping in suburban High Point, Tennessee along the way to visit George's best friend, fellow Korean War vet Ralph Bates, and Ralph's wife of six years, Dorothea Bates. By the time they arrive on the Bates' doorstep on Christmas Eve, George and Isabel are hardly speaking to each other when they aren't yelling at each other as each had a preconceived notion of their role in the marriage incompatible with the other, and a romanticized view of how the other should behave. Ralph's marriage is currently in no better shape. Dottie has just left him, taking their infant son Junior with her. Although he never stated such to her, Ralph married insecure Dottie despite not loving her because her wealthy father, for who he worked, promised him the family business as an inheritance. Ralph and Dottie's current problem is primarily because Ralph could no longer stand her parent's pretentious and overbearing ways, both professionally and personally. Although Ralph, George and Isabel seem blind to the source of and solution to their own marital problems, each seems to have a clearer view of what ails the other couple and how best to fix their marriage.