Since 2014, the terrorist organisation Boko Haram have led strikes against the villages and people of the Far North Region of Cameroon. Today, this constant threat of violence has woven itself into daily existence. 　　In her profoundly affecting debut feature, Cyrielle Raingou follows a group of children as they carve out their own worlds amid the dangers of armed conflict. We meet the precocious Falta, studious and hardworking, eager to process her father’s death in a terrorist attack. Her classmate, Ibrahim, and his older brother Mohamad struggle with balancing their boyhood energy and a traumatic past that strays them from their eight and 11-year-old innocence. 　　Raingou, a native of the Far North Region herself, approaches her young subjects with a delicate and unobtrusive observance, allowing them to dictate the reality of their surroundings through their own words, movements and perspectives. The result is a distinct and profound study of the contrasts of a war zone: hope and despair, innocence and terrorism, the present and future, western influence and traditional culture. 　　As the children prepare for school, gunshots ring out in the distance. In the schoolyard, amidst soccer games and jump rope, military servicemen patrol the edges of the frame. But Raingou holds on to the laughter and innocence of the children’s play, which stretches far above war’s reach. 　　源自：https://iffr.com/en/iffr/2023/films/le-spectre-de-boko-haram

Since 2014, the terrorist organisation Boko Haram have led strikes against the villages and people of the Far North Region of Cameroon. Today, this constant threat of violence has woven itself into daily existence. 　　In her profoundly affecting debut feature, Cyrielle Raingou follows a group of children as they carve out their own worlds amid the dangers of armed conflict. We meet the precocious Falta, studious and hardworking, eager to process her father’s death in a terrorist attack. Her classmate, Ibrahim, and his older brother Mohamad struggle with balancing their boyhood energy and a traumatic past that strays them from their eight and 11-year-old innocence. 　　Raingou, a native of the Far North Region herself, approaches her young subjects with a delicate and unobtrusive observance, allowing them to dictate the reality of their surroundings through their own words, movements and perspectives. The result is a distinct and profound study of the contrasts of a war zone: hope and despair, innocence and terrorism, the present and future, western influence and traditional culture. 　　As the children prepare for school, gunshots ring out in the distance. In the schoolyard, amidst soccer games and jump rope, military servicemen patrol the edges of the frame. But Raingou holds on to the laughter and innocence of the children’s play, which stretches far above war’s reach. 　　源自：https://iffr.com/en/iffr/2023/films/le-spectre-de-boko-haram

热气腾腾的拖拉机手马特维莫罗佐夫从“不那么遥远”的地方返回家乡。他记得他结婚的故事，他的毁灭性的爱，不可抗拒的背叛和燃烧的“犯罪”，他不后悔。在村里的第一个家伙，马特维莫罗佐夫是一个集体农庄主席真正的头痛。我真的为十个人工作，但戈雷兹是一个虚构的。此外，他爱他的女儿拉里斯。马特维的另一个出口是拖拉机的“赛跑”，与棉花的先进生产商，导致拖拉机坏了。他们几乎把马特维的审判，而不是他和拉里萨结婚。然后我们开始在村里听到马特维的“友谊”与新的动物技术的语气。拉丽莎很嫉妒，她想告诉对手。还有，当地的绯闻女孩和一个赛车手阿廖夫娜奶奶，她往火里点了点油，给马特维和托妮带来了新的信息

Venice, 1580. The Marquis Della Porta lives alone in his villa with his secretary Jacopo, his servant Paolo and his beloved courtesan Veronica. Veronica is the only female and the three men are in love with her.

热气腾腾的拖拉机手马特维莫罗佐夫从“不那么遥远”的地方返回家乡。他记得他结婚的故事，他的毁灭性的爱，不可抗拒的背叛和燃烧的“犯罪”，他不后悔。在村里的第一个家伙，马特维莫罗佐夫是一个集体农庄主席真正的头痛。我真的为十个人工作，但戈雷兹是一个虚构的。此外，他爱他的女儿拉里斯。马特维的另一个出口是拖拉机的“赛跑”，与棉花的先进生产商，导致拖拉机坏了。他们几乎把马特维的审判，而不是他和拉里萨结婚。然后我们开始在村里听到马特维的“友谊”与新的动物技术的语气。拉丽莎很嫉妒，她想告诉对手。还有，当地的绯闻女孩和一个赛车手阿廖夫娜奶奶，她往火里点了点油，给马特维和托妮带来了新的信息

安東•帕夫洛維奇•契訶夫作品是所有文學大師中最常被拿來改編並翻拍成電影的，本片改編自他在1891年出版的經典作品《The Duel》。 　　風光明媚的鄉間，賭博、喝酒和女人廝混是Leavsky每天必定要做的事，但他的經濟來源突然成了問題，加上一個用身體操控著他的情婦，讓Leavsky必須走向衝突暴力的結局.....

时代背景是十九世纪末的土耳其，年轻的希腊男孩在康士坦丁堡为富商辛勤工作，但生活却充满了难堪与迫害。当他知道美国这块梦幻中的乐土之后，便千里迢迢移民美国追寻梦想。

时代背景是十九世纪末的土耳其，年轻的希腊男孩在康士坦丁堡为富商辛勤工作，但生活却充满了难堪与迫害。当他知道美国这块梦幻中的乐土之后，便千里迢迢移民美国追寻梦想。

A song sets the tone, followed by an animated collage in which Super 8-film, photographs, drawings, slides, detritus and fragments from music and popular culture are used and processed. A mobileand intense portrayal of a changing country, America, America was Åsa Sjöström’s exam film at Royal College of Art in London in 1972. (Filmform)

成绩优异处事圆滑的高二学生·矢口八虎，每日与狐朋狗友们一起玩乐。 无论是谁都会觉得是个“现充”的八虎，实际上一直觉得有点空虚。 某日，在美术室见到的一副画作，夺走了八虎的心。 「绘画，是不同于文字的语言」 通过绘画第一次真实地表达自己情绪的八虎，发现了美术的有趣之处，冲动之下拿起了素描本。 然后，八虎的升学志向确定了下来。 「第一志愿，东京艺术大学」 距离录取比例200倍的东京艺术大学考试日期， 还有650天。